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Reviews/Melbourne
Ostensibly this is a play about the resilience of humanity and its propensity to go to extremes.
Saturday, 17 March 2007 | Read more
Reviews/Sydney
Daniel Keene’s The Nightwatchman is a contemplative, elegiac piece that explores the emotional reverberations between a father and his children as he prepares to move out of the family home.
Friday, 16 March 2007 | Read more
Reviews/Sydney
Bell Shakespeare’s latest Macbeth is quality theatre, but it is something of a disappointment given the luminaries involved.
Friday, 16 March 2007 | Read more
Reviews/Adelaide
Ignite Productions successfully accosts the audience in classic theatre of cruelty style, hauling them from the everyday into a grotesque world of the Young Man’s subconscious.
Thursday, 15 March 2007 | Read more
Reviews/Melbourne
Harp on the Willow is ultimately a search-for-god play. It sublimely and comically, unpacks what people do when faced with the schism between ancient tradition and a new generation's hopes.
Wednesday, 14 March 2007 | Read more
Reviews/Sydney
Berlin-born Sydney-based Martin del Amo explores the notion of the unknown with both text and movement in his new work ‘Never Been This Far Away From Home.’
Monday, 12 March 2007 | Read more
Reviews/Melbourne
Rabbit Hole is powerful, moving and beautifully understated.
Monday, 12 March 2007 | Read more
Reviews/Melbourne
Improvisational dance performance is often more challenging for audiences than performers. Viewers need a great deal of patience, as they wait for the resonating moments when performers, sound, and visuals unite in mesmerizing synergies.
Sunday, 11 March 2007 | Read more
Reviews/Melbourne
GoD BE IN MY MouTH’s Grace is essentially an extended domestic between three members of a long-estranged family conducted on a roof-top while three pigeon-headed people gambol about in the background.
Saturday, 10 March 2007 | Read more
Reviews/Sydney
This new production of Patrick White’s ‘charade of suburbia’ The Season At Sarsaparilla, is all one could have hoped it could be: a triumph for director Benedict Andrews and for the STC’s Actors’ Company.
Friday, 09 March 2007 | Read more

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