Saturday, 23 September 2017
Latest Adelaide Reviews
Little Women | State Opera South Australia & STCSA
Written by Peter Bleby   
Wednesday, 30 May 2007 08:59
Little Women
I wonder what Louisa May Alcott would have thought.  Her “Little Women” was much bigger than she ever expected, and now it’s an opera with some of her words, but deftly re-written by the young American composer Mark Adamo.
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Tense Dave | Chunky Move Dance
Written by Ursula Beaumont   
Sunday, 06 May 2007 13:29
Tense Dave
Tense and thrilling are two words rarely credited to dance, let alone live performance in general.
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Hamlet | State Theatre Company
Written by Ursula Beaumont   
Tuesday, 10 April 2007 05:03
Hamlet
Prince Hamlet struggles to keep a sense of clear thinking and integrity in a world taken over by a murdering uncle, fratricide no less, and corruption.
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Soweto Gospel Choir
Written by Ursula Beaumont   
Monday, 26 March 2007 11:21
Soweto Gospel Choir
Voices ring out in Zulu, Xhosa, Sotho, English and Afrikaans, singing songs from different faiths and nations, singing of the past, of hope, politics, heartache, joy and celebration.
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The Gondoliers | Gilbert and Sullivan Society of SA
Written by Peter Bleby   
Sunday, 27 May 2007 11:25
The Gondoliers
From the first curtain raise, I had the feeling that this cast knew what it was doing.
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Krishnans Dairy | Indian Ink Theatre Company
Written by Ursula Beaumont   
Monday, 30 April 2007 07:35
Krishnan's Dairy
The multiple strands of the piece are deftly woven into a comprehensive and engaging story that catches the audience’s laughter with sighs of sadness.
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2007 Middle Eastern Cultural Festival
Written by Ursula Beaumont   
Monday, 02 April 2007 16:05
Middle Eastern Cultural Festival
The warmth of the autumn sunshine follows me into the shade of the Adelaide Festival Centre Plaza where a ring of tent canopies, stalls and a babble of voices greet me.
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Jet of Blood | Ignite Productions
Written by Ursula Beaumont   
Thursday, 15 March 2007 10:04
Jet of Blood
Ignite Productions successfully accosts the audience in classic theatre of cruelty style, hauling them from the everyday into a grotesque world of the Young Man’s subconscious.
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