Wednesday, 27 September 2017
Under Milk Wood
Written by Carol Middleton   
Friday, 23 February 2007 09:24
Under Milk Wood
Under Milk Wood was first performed by Dylan Thomas and three actors in America, and the four-person format is used again in this production.
Autobahn | Act-O-Matic 3000
Written by Matthew Clayfield   
Tuesday, 20 February 2007 03:17
LaBute’s cycle of plays is the very definition of the term ‘variations on a theme’. A series of slow-burn mono and duologues, each set in the front seat of a car, the cycle serves, sometimes too explicitly, as a kind of social rap sheet.
detest (this thousand years I shall not weep)
Written by Lola MacMillan   
Wednesday, 14 February 2007 08:56

Multi-skilled, charismatic, with an impressive emotional range, Cerini has created an award winning piece of work in association with sound designer Kelly Ryall.

Chocolate Monkey | The Amazing Business
Written by Darryl Emmerson   
Monday, 12 February 2007 03:56
Chocolate Monkey
A skilled actor, mimic and story-teller, Hussey performs his own writing with energy and deft authority, if somewhat broadly, aided by well-planned changes of pace and mood, and ably assisted by an excellent sound and lighting design.
Angels With Dirty Faces | 9Minds
Written by Anna Lozynski   
Thursday, 22 February 2007 10:36
Angels With Dirty Faces
We become engrossed in the web of intricacy of this Chilton 'clique' as we are exposed to each boy's personalities and learn of their contribution to the group dynamic.
Europe | Cut Lunch Productions
Written by Jan Chandler   
Friday, 16 February 2007 07:47
Europe is funny and at times poignant as Douglas and Barbara struggle to meet across the divide of time and differing expectations.
The Object Of Desire | Fly-On-The-Wall Theatre
Written by Paul Andrew   
Wednesday, 14 February 2007 03:25
The Object of Desire
Melbourne based playwright Julia Britton has earned herself a fabulous moniker - the oldest emerging playwright in the world.
Written by Paul Andrew   
Saturday, 10 February 2007 03:56
Toby Milk’s heartfelt quiet rage is a journey of absurdity and episodic dysfunction; it is also infinitely believable, thanks to an enthusiastic ensemble performance.

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