Latest Reviews
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A small miracle of a play, Happy Feraren’s Savior is a sharp and sweeping satire on the sometimes-self-serving ignobility of sleek American NGOs.
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At Home at the Zoo luxuriates in the intensity of Albee’s ferocious humour, mood and impulse, a plunge into loneliness and aloneness leavened by laughter.
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Helios begins with the ancient Greek myth of Phaeton and gently pulls it into something recognisably human: school buses, mixtapes, teenage dares, grief, fathers, first kisses and one bright gold car.
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There is a lot to love about this show; the cast are strong, and the onstage band who interact in the main diner setting is a fun touch.
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This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
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This is not your dear old Grandmother’s Hamlet, it is your drunk Uncle’s, who remembers every Monty Python episode by heart.
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A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
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As befitting a work honouring the inventor of the printing press, Gutenberg! The Musical! is enamoured of words, drunk on words, intoxicated with text, mad for the metaphor, passionate for the pun.