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Ying Tong | Sydney Theatre Company
Written by Claude Lequereux   
Tuesday, 24 April 2007 08:14
Ying Tong
A dramatic journey to the centre of Goon comic genius - Spike Milligan's mind of lost marbles at the time of his mental breakdown.
The Curious Pain of Louis XIV
Written by Brenton Amies   
Friday, 20 April 2007 09:04
The Curious Pain of Louis XIV
A Mistress, Black Magic, Adultery and a King with an anal fistula. This music theatre production appears to have it all, but the sad truth though is that despite some genuinely decent performances from the ensemble the piece as a whole was lacking.
Last One Standing | nm productions
Written by Aleksei Wechter   
Monday, 16 April 2007 12:21
Last One Standing
There are scenes where the dynamic relationship between the actors is like watching the ABC’s Australian Stories, sadly this is not realised throughout the entire piece.
The Rivals | NIDA
Written by Jack Teiwes   
Sunday, 15 April 2007 12:22
The Rivals
Two squabbling couples? Tick. Comical servants? Tick. Cantankerous rich father figure? Tick. Mistaken identity? Tick. Improbable plot? Tick. Borat’s mankini? …well, a tick for that too, actually!
The Folding Wife | Urban Theatre Projects
Written by Tessa Needham   
Saturday, 21 April 2007 10:38
The Folding Wife
A woman and two men enter the space. She strips down to her underwear, and the men begin to move around her, adding and subtracting things from her mannequin-like body.
Cant Pay? Wont Pay! | NIDA
Written by Jack Teiwes   
Tuesday, 17 April 2007 12:40
Can’t Pay? Won’t Pay!
Almost nothing could be considered too outrageous for this production, and it is an utter delight to watch.
The Game Of Love And Chance | NIDA
Written by Jack Teiwes   
Sunday, 15 April 2007 14:21
The Game Of Love And Chance
A lavish feast for the eyes, ears and most definitely the funnybone, the deceptively simple yet thoroughly rich The Game of Love and Chance comes highly recommended.
Pippin | Kookaburra
Written by Jack Teiwes   
Friday, 13 April 2007 13:50
Loosely telling the story of prince Pippin, the son of Charlemagne, and his somewhat picaresque journey through life, Stephen Schwartz’s 1972 Pippin is not your conventional musical.

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