Adelaide Reviews
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- Valerie Lillington
Myth, Propaganda and Disaster in Nazi Germany and Contemporary America is a long play with a long title and, at times, hard work for the audience who are rewarded for their attention.
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- Valerie Lillington
Born Yesterday will surely be a contender for the show of the year when the reckoning comes – for several good reasons – starting with the play itself.
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- Valerie Lillington
Stephen Sondheim’s name has been synonymous with interesting music and entrancing lyrics that move the story along since his name hit the lights in the late fifties.
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- Valerie Lillington
The restaurant reflects their lives – bleak and ordinary – and the waiter whose attention they are desperate to catch is symbolic of them reaching out in their desperation to find something meaningful in their lives – someone who will share it with them
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- Valerie Lillington
Aurora sparkles, not only because she looks terrific, her costumes are brilliant and colourful with sequins picking up the light, but because of her vivacious and outgoing personality.
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- Valerie Lillington
The summer weather in Geneva was rotten in 1816 and five house-bound friends, three of whom were Lord Byron, Percy Bysshe Shelley and his 19 year-old wife Mary, told ghost stories to each other until it stopped raining.
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- Valerie Lillington
80 minutes long, one man on stage and a rapt audience. His name is Thomas, Tommo, and he’s about to die. That
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- Valerie Lillington
This is Samantha Dodemaide’s first really big role as Dorothy and she fills it well. Her diction is clear, her singing voice good and she acts with conviction as the young, confused girl who travels into the unknown with her dog.
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Now playing Adelaide
One of the most popular children’s stories ever adapts surprisingly well to the stage, and this large cast has a rollicking good time telling it.
The story is a rich examination of a turbulent period of British Society from the 1880’s to the present day.