Adelaide Reviews
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- Valerie Lillington
It was the first time I heard a collective pleasurable sigh from an audience after hearing just 8 notes on the piano. I will never hear that song again without remembering that.
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- Valerie Lillington
As each character emerged, warm recognition was obvious, with a buzz from the audience seated at tables with their wine, tea or coffee, and muffin (available from the back of the hall for a moderate price) before them.
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- Valerie Lillington
It is beautifully staged, excellently sung, superbly supported by a first class orchestra and so much fun, you will want to see it again.
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- Peter Bleby
George Frederic Handel’s Dixit Dominus is a challenge for any choir and orchestra, and when set next to Antonio Vivaldi’s Gloria, together they make a splendid program.
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- Valerie Lillington
Yes, it’s a good romp with lots of laughs, lovely music well sung and very good performances by all.
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- Valerie Lillington
This is an emotional play with not too many dry eyes at times, but if a play and its performers can move you, make you laugh, make you cry, make you think, then a good job has been done.
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- Valerie Lillington
This is a play well worth seeing and the audience bore witness to their enjoyment of it in their prolonged applause and happy chatter on the way out.
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- Valerie Lillington
Terrestrial’s author (Fleur Kilpatrick) says in the programme notes that she dedicated her play to lonely girls, bored boys, to quiet towns and “to a landscape that looks like Mars”. She adds ”landscape informs how our trauma, confusion, illness or fear manifests itself”. It does in this play.
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Now playing Adelaide
One of the most popular children’s stories ever adapts surprisingly well to the stage, and this large cast has a rollicking good time telling it.
The story is a rich examination of a turbulent period of British Society from the 1880’s to the present day.