Brisbane Reviews
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- Eden Bryant
This long-awaited show delivers all you can expect and is a veritable feast for the senses! As much fun as a Wonka Fudgie Wudgie (and as whimsical as a Whipple Scrumptious Fudgemallow Delight).
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- Eden Bryant
Tale as old as time: two worlds collide as star struck lovers try to navigate their way through cruel and different families as the widely popular West Side Story returns for a season at QPAC with the same cool charm it has been bringing since it's first days on Broadway
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- Nicholas Routley
Opera Queensland’s production of Mozart’s masterpiece, Le nozze di Figaro, despite the various restrictions that many of the personnel have had to endure, is simply wonderful in every respect.
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- Nicholas Routley
At this moment in our cultural history, as Australia emerges gradually from the restrictions imposed because of Covid 19, each live concert is a particularly reviving and refreshing experience.
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- Eden Bryant
With the world struggling to find a new norm in these ever-changing circumstances, never has the phrase “the show must go on” been more apparent.
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- Eden Bryant
The night progressed, Amy showcasing her many talents, singing and playing the violin, and then indulging us, inviting her partner to perform alongside for a few songs on the acoustic guitar.
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- Eden Bryant
If you are unfamiliar with the world famous Cirque du Soleil, the chances are you have never truly experienced the magic of cirque theatre – or you are living under a rock (or possibly both). That's ok… it’s never too late to learn something new!
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- Nicholas Routley
I have rarely heard an audience so unanimously thrilled by something innovative in an opera performance. This is a wonderful experience of theatre.
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All in all, this is an evening of great fun and profound questioning, in which music and theatre constantly interweave and complement each other. Not to be missed!
In its scant 6 years of existence, Ensemble Q has carved out an identity as a chamber ensemble of the highest standard, fearlessly delving into unusual repertoire.
Initially the orchestra sounded great, if reserved, but fired and stoked the feels as the evening progressed and both parties fused.
There isn’t a baton, a trembling shaping arm or a stern pose in sight, at 55, he exudes boyish energy but, there’s no doubt he’s the captain.
The beautiful and terrifying images that serve as scenery allow us, the audience, to experience the various often contradictory levels on which the work operates at once, as magic, as myth.
Then Mime asks, What is the race which lives on the stage? And Wotan answers, On the stage live those consummate artists, the singers.
Wonderful. Quite wonderful.