Brisbane Reviews

Details: Erin White; 20 April 2007

Lotte’s Gift is beautiful, enchanting, humourous and heartbreaking. It is what any good play should be. But it is more than just good. This performance, is inspiring.

Details: Erin White; 01 April 2007

Ibsen’s theatre revolution changed theatre to something that was art and not just entertainment. QTC’s production of this Ibsen classic, was not even entertaining.

Details: Erin White; 28 March 2007

C!RCA’s The Space Between explores not just the apparent physical bodies of the performers, but the nothingness and everythingness of what exists in the space between the performers, each other and the theatre-in-the-round audience.

Details: Bree Hadley; 17 March 2007

The mundane reality of inner city Brisbane bleeds through into a world of greater mysteries, malign spirits, and the surveillance of the Moogi Man

Details: Erin White; 16 March 2007

A play that touches on issues of prejudice, deceit and ignorance, it does so with flair, but do not the title fool you. This is not a song-and-dance musical style show.

Details: Erin White; 03 March 2007

No ifs, buts or maybes, this play is vainly and unashamedly Brisbane. It is pure self-indulgence, and it feels good.

Details: Erin White; 02 March 2007

It seems no-one loves a conspiracy more than Errol Bray. His long Australian theatrical career has evidently led him to a place of cheerful cynicism about the state of our world.

Details: Bree Hadley; 22 February 2007

Absence(s) is a work that moves between worlds – physically, spatially and symbolically. We are taken, group by group, from the street outside the theatre to another space.

Most read Brisbane reviews

Cosi fan tutte | Opera Queensland

All in all, this is an evening of great fun and profound questioning, in which music and theatre constantly interweave and complement each other. Not to be missed!
The Dinner Party | Ensemble Q

In its scant 6 years of existence, Ensemble Q has carved out an identity as a chamber ensemble of the highest standard, fearlessly delving into unusual repertoire.
Birdsongs | Birds of Tokyo with the Queensland Symphony Orchestra

Initially the orchestra sounded great, if reserved, but fired and stoked the feels as the evening progressed and both parties fused.
Academy of St Martin in the Fields with Joshua Bell

There isn’t a baton, a trembling shaping arm or a stern pose in sight, at 55, he exudes boyish energy but, there’s no doubt he’s the captain.
Das Rheingold | Opera Australia

The beautiful and terrifying images that serve as scenery allow us, the audience, to experience the various often contradictory levels on which the work operates at once, as magic, as myth.