Latest Reviews
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Two new works presented as a double feature provide somewhat of a highlight in the current Sydney Fringe Festival.
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From the end of her first song, summoning the spirit of Holiday, spotlit and with exquisite poise, dramatic pause and phenomenal phrasing, there was a palpable feeling of the audience restraining a desire to leap to their feet in rapturous applause.
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Initially the orchestra sounded great, if reserved, but fired and stoked the feels as the evening progressed and both parties fused.
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LaPaglia is simply outstanding as a salesman bartering down his own price. Believable, present, committed – every indignity is expertly handled, never demonstrated but achingly and authentically realised.
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The staging is spectacular, and this production has somehow managed to add additional layers of texture and style into the design that refreshes the experience.
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Noises Off is well written, and one of the most well-known, and surely one of the most testing of all farces, and this cast and crew, under this director, nails it!
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The Dismissal charts the full-of-hope, robust rise and rise of the Gough Whitlam led Labor Government from 1972, to its rambunctious demise on November 11, 1975.
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This is a good, old-fashioned, vulgar, vaudevillian tent show.