Sydney Reviews
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- Richard Cotter
Two new works presented as a double feature provide somewhat of a highlight in the current Sydney Fringe Festival.
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- Richard Cotter
From the end of her first song, summoning the spirit of Holiday, spotlit and with exquisite poise, dramatic pause and phenomenal phrasing, there was a palpable feeling of the audience restraining a desire to leap to their feet in rapturous applause.
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- Dennis Clements
The staging is spectacular, and this production has somehow managed to add additional layers of texture and style into the design that refreshes the experience.
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- Richard Cotter
The Dismissal charts the full-of-hope, robust rise and rise of the Gough Whitlam led Labor Government from 1972, to its rambunctious demise on November 11, 1975.
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- Rebecca Whitton
This is a good, old-fashioned, vulgar, vaudevillian tent show.
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- Dennis Clements
There really isn’t a moment when we believe there is going to be a happy ending, but the incredible music keeps us sitting in the carriage as we careen perilously towards the inevitable train wreck of an ending.
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- Marika Bryant
Bangalow Chamber Music Festival embraces all possibilities and opportunities, with stunning results.
Most read Sydney reviews
There really isn’t a moment when we believe there is going to be a happy ending, but the incredible music keeps us sitting in the carriage as we careen perilously towards the inevitable train wreck of an ending.
Dog Man will have you giggling at the ridiculous antics of an unlikely hero.
Two new works presented as a double feature provide somewhat of a highlight in the current Sydney Fringe Festival.
The staging is spectacular, and this production has somehow managed to add additional layers of texture and style into the design that refreshes the experience.
City of Angels is a big bold sexy production with lots of style, lots of laughs, and an incredible collection of wonderful performers and musicians that deliver this complex score with real conviction.
The play within the play cascades into a convulsive and inexhaustible tirade of production catastrophes, miscues, prop malfunctions, wardrobe clangers, and more.
The opening night of Rinaldo showed unmistakeably that baroque opera, even so-called opera seria, can be fun.