Sydney Reviews
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- Richard Cotter
This is no Brady Bunch, as hard as they may have tried, but the bewildered quartet at the hilarious heart of Maeve Marsden’s debut play, Blessed Union.
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- Richard Cotter
The Mirror reflects a tincture of burlesque, a remnant of the risqué, but nothing offensive.
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- Emily Shaddick
If you liked the film you will thoroughly enjoy this production and if you never saw it but can appreciate deeply twisted intentions and noxious high schoolers, Cruel Intentions – The 90s Musical is for you.
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- Richard Cotter
After a disarmingly honest yet artfully articulated entrée regarding the elementary aspects of culinary craft and its eventual alimentary outcome, Chef presents us with course after course of discovery and disclosure.
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- Marika Bryant
The clever use of props and the introduction of these props over the duration of an era help meld this performance into the sum total of its parts.
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- Rebecca Whitton
Despite high expectations from this exciting collaboration, the production felt flat and overly long on the night that I attended.
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- Richard Cotter
Supple body, goofy charisma and all-in-the-timing precision mark it as a high performance vehicle running on high octane fooling.
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- Rebecca Whitton
It takes a lot of stage craft to perform a one person show, but Jacob Rajan’s ebullient charm and skill instantly captures the audience in his highly entertaining one person show, Paradise or The Impermanence of Ice Cream, delivering 80 minutes of sheer theatrical joy.
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