Saturday, 29 April 2017
Melbourne
The Full Monty | StageArt
Written by Jane Canaway   
Sunday, 05 March 2017 14:11

The Full Monty | StageArt

The idea of getting your kit off to earn some money is, it has to be said, not an original one. Ask a zillion women since clothing was first worn.

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The Music of AR Rahman | Melbourne Symphony Orchestra
Written by Nikki Spunde   
Wednesday, 22 February 2017 10:51

The Music of AR Rahman | Melbourne Symphony Orchestra

Asia TOPA, the Triennial of Performing Arts, has drawn some remarkable artists to Melbourne for its inaugural year, but few with the star power of movie soundtrack composer A.R. Rahman.

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Stupid Fucking Bird | Lightning Jar Theatre
Written by Lee Bemrose   
Saturday, 18 February 2017 19:53

Stupid Fucking Bird | Lightning Jar Theatre

My short attention span and lousy time management steer me toward short plays, but this was over two hours (not all that long, I know, but that's how slack I am) of well rounded, absorbing, thought-provoking, very entertaining theatre.

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'Tis Pity | Victorian Opera
Written by Lee Bemrose   
Sunday, 05 February 2017 15:10

'Tis Pity | Victorian Opera

In 'Tis Pity, however, Miss Meow is part of a much larger cast and as such, her star power has been much diluted. And 'tis a pity.

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The Play That Goes Wrong | Mischief Theatre
Written by Jane Canaway   
Sunday, 26 February 2017 09:37

The Play That Goes Wrong | Mischief Theatre

The Mischief Theatre seems set to break the link between ‘farce’ and ‘descend’; their comedy The Play That Goes Wrong elevates the genre to a new era of cool.

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John | Melbourne Theatre Company
Written by Diane Stubbings   
Sunday, 19 February 2017 14:51

John | Melbourne Theatre Company

As visually interesting and occasionally intriguing as John is, it’s a play that long overstays its welcome.

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Lifetime Guarantee | Theatre Works
Written by Liza Dezfouli   
Sunday, 12 February 2017 13:00

Lifetime Guarantee | Theatre Works

The play is defined by wit, verbal and visual wit, crisp performances and some very funny one-liners. The story is a vehicle for the dialogue to vibrate like an ear drum and arch itself backward into a pretzel, which it does, effectively.

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Free Admission | Ursula Martinez
Written by Nikki Spunde   
Sunday, 05 February 2017 13:07

Free Admission | Ursula Martinez

Martinez slowly obscures herself from view behind a wall which she builds brick by brick, complete with mortar, on the stage.

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