Melbourne Reviews
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- Stephanie Glickman
Brings together rock musicians, gasp-inducing acrobatics and a lascivious mistress of ceremonies/singer in Bernie Dieter herself
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- Heather Bloom
Jesus Christ Superstar is a flawless production that has found the most talented and remarkable artists to bring this (let’s be honest) rather depressing story to life.
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- Stephanie Glickman
Even though the setting is smaller, the full ensemble is all still there, making certain moments overflow in bustling and space-eating kinaesthetic flurries.
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- Jason Whyte
First performed at Melbourne’s La Mama in 1971, David Williamson’s The Removalists holds a place of particular esteem in Australian theatre history.
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- Stephanie Glickman
The Australian Ballet has many times over proved their chops with contemporary works and Carmen is no exception.
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- Cait Coffey-Wong
Whether you’re a lover of theatrical thrillers or have never seen one before, this production of the best-selling mystery novel of all time has something to pique your interest.
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- Jason Whyte
Our Monster’s Name is Jerry aims to tell a “queer gothic horror” tale, set in a well-heeled part of Australian outer suburbia. Unfortunately, its storytelling was often compromised by technical issues.
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- Jason Whyte
There’s plenty of silent, restless and melancholic behaviour happening on the stage as the audience files into the venue.
Most read Melbourne reviews
Heathers The Musical
Capturing the essence of its predecessor, Heathers The Musical is an absurdly comic production that doesn’t just walk the line of polite society but plans to blow it all up with reckless abandon.The Glass Menagerie | Melbourne Theatre Company
This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
Swan | Elf Lyons
Quirks of the source – and of the environment that sustains it – are cleanly exposed in a high-energy hour of physical comedy, delivered with moments of avian grace.
Retrograde | Melbourne Theatre Company
The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.
The Brut Truth: A Champagne Comedy Tasting | Prétentieux vin Branleur
It feels that the show hasn’t quite worked out what point it wants to make.
Now playing Melbourne
| Waitress |
| The Big Chillout |
| Good Company Entertainment Presents: The Big Chillout |
Suzie Miller’s award-winning one-woman play, Prima Facie returns to Melbourne for a limited season.
The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.